This is my original Apple Macintosh (aka the Macintosh 128K) from 1984. I believe I bought it somewhere around 1998-2000 at the old State Road Shopping Center Goodwill in Cuyahoga Falls. Unfortunately it only worked for a short time after I found it but in that time I had a lot of fun with it. I keep it around today as a piece of history.
This is it. Model M0001. The original Macintosh. The machine with the Ridley Scott 1984 commercial. More has probably been written, said, and filmed about this computer than any other in history.
You can identify an original 1984 Macintosh among other classic Macs by the way that the rear name badge just says “Macintosh” and the way that the front of the computer just has an Apple logo and no model name.
The original Macintosh did not have a hard drive. It ran from 400K 3.5in floppy disks. I found this Macintosh with the mouse and keyboard (minus the letter Z) but with no disks, which created a problem. I made some posts on the old RoadRunner newsgroups and found some local Mac nerds to help me out. One of them a disk that had been formatted 400K with an significantly old System and copies of MacWrite and MacPaint, which is basically what you would have received in the box in 1984. To my amazement, we found that the old Macintosh worked. Compared to the Apple II, the crisp black and white image was a revelation.
Through some research I found sites like mac512.com that (at that time) had a lot of old software available to download, assuming you had a Mac that could write the 400K floppy format. My mother and I made a trip to a local Kinkos that had late model Power Macinitosh towers (probably Power Macintosh 9500 or 9600s) that still had floppy drives. We spent about an hour or so filling up a few floppies with old games like Shufflepuck, Kung Fu and Stunt Copter.
Later I came to realize that this Macintosh had been upgraded to about the specs of a Macintosh 512K with 0.5MB RAM, an option which Wikipedia says cost $995 back in the day.
This Macintosh was the first Macintosh of any type I owned and the first Apple product I had owned since my grandfather gave us his Apple IIe. Oddly enough, the later Macs I found at thrift stores or acquired used I found in roughly the order they came out: a Macintosh Plus, a Macintosh SE, a Macintosh Classic II, a Macintosh LC III, a Quadra 700, a Quadra 605, a Performa 630CD, a PowerBook 190cs, the PowerBook G3, and most recently an eMac and a 2010 Mac Mini.
The Macintosh Plus (which in many ways was the machine the Macintosh 128K should have been) gave me a good education into what the Macintosh experience would have been in the mid-to-late 80s.
While I am fascinated in these machines as old computers I’m still a PC guy at heart. It’s just that these are the opportunities that have presented themselves. If the thrift stores had been full of Deskpros or PS/2s I would be writing about them here too.
Since this old Macintosh no longer works, it gives me a good opportunity to talk about the way it looks.
You can see the visual similarity between the Apple IIe (introduced in 1983) and the Macintosh with the beige plastic and the beveled edges. Growing up with an Apple IIe, I have a fondness for the beige style that Apple did so well in the mid 1980s. I have said before that I like my 80s stereo equipment to have the angular silver appearance of a DeLorean. Well, I want my 80s computer equipment to have the beige plastic look of the Apple Macintosh and the Apple IIe.
I adore the beveling around the floppy disk drive especially. That’s the way a floppy drive should look. It just looks important.
The way the mouse looks roughly like the Macintosh, with the mouse button mirroring the monitor and the Apple logo in roughly the same place is stunningly cute.
I really dig the color Apple logos on the front and back of the Macintosh. Bring back the color Apple!
One of the things that puzzles me about this machine is: If you had paid $2495 for one of these things in 1984 would you have been happy with it?
We’ve all been told that this is the machine that like Prometheus bringing fire to man, brought the Graphical User Interface to the common person.
The reality is that this was a seriously compromised computer when it was launched. The 400K floppies were too small. The 128K RAM was way, way too small for the kind of graphical programs that were expected to be built for it. The single built-in floppy drive and the limited amount of RAM led to horror stories where the simple action of copying a disk took multiple disk swaps. It also lacked a dedicated port to add an external hard drive.
The Macintosh Plus, introduced in 1986, corrected these flaws by coming with at least 1MB RAM, an 800K floppy drive, and a SCSI port for adding an external hard disk. The Macintosh SE in 1987 added an option of an internal hard disk or a second floppy drive. So, if you had bought this machine in 1984 you were probably looking longingly at the Plus and SE which had the same screen and same CPU, but corrected the glaring flaws in the original design.
Additionally, would you have been happy with the software selection? The Mac would have come with the brilliant MacWrite and MacPaint, but after that was there other quality software to buy? It seems like the first few years of Macintosh software were a bit tortured. Meanwhile Apple II and IBM PC owners were cheerfully drowning in great software.
I’m sure the first two things people thought of when they saw a Macintosh back then was: This is amazing but 1) Can I have it with color? 2) Can I have a bigger screen.
Maybe this is just my “future” bias talking here but anytime I’ve tried to write anything on the 9in screen classic Macintoshes have I’ve felt visually cramped.
If you were the kind of computing enthusiast with a quick trigger finger for novel technology that was probably the kind of person who bought a Mac in 1984, what did you think of the Amiga in 1985? Granted the Amiga had a less elegant GUI than the Macintosh but it came with an emphasis on color and multimedia while your Mac was staring back at you in crisp but dull black and white. Apple would not add a Macintosh with color capability to the lineup until the stratospherically expensive (but eminently open) Macintosh II in 1987.
I think you have to keep in mind what the ownership experience was really like when you appreciate the historical importance of this machine.
The original Macintosh is a terrific monument to one of the best technological moments of the 1980s. Seeing one with it’s crisp and cheery screen must have stunned people who were knew computers as boxes that spit out glowing green text in a black void. This was the 1980s vision of the future.
You have have noticed the zoomed-in image of the Realistic TV-100 Stereo TV Receiver acting as my blog “mascot” in the header.
I chose the Realistic TV-100 to represent this blog for a number of reasons. It’s a fantastic looking piece of mid-1980s audio equipment. It’s also a classic representative of Radio Shack’s Realistic brand. I have fond memories of visiting the Radio Shack at State Road Shopping Center as a kid back when Radio Shack was still an important electronics store. Basically everything about Radio Shack from the 1980s and 1990s like their house brands Realistic, Archer, Optimus and for some reason those distinctive shiny green Extra Life batteries is a childhood nostalgia trip for me. The TV-100 represents a lost era, which you’ll find is a common theme on this blog.
Therefore it’s time to give this lovely looking but slightly odd bird it’s day in the sun.
As this October 1985 ad in Popular Mechanics explains the original purpose of the TV-100 was to add MTS stereo and SAP capabilities to existing TVs. “Many stations are already broadcasting in stereo…all the time. Come in and discover the added dimension of stereo TV.”
The idea was that you plugged your TV antenna into the antenna inputs on the TV-100 and then attached cables from the VHF and UHF outputs on the TV-100 to the antenna inputs on your TV. I believe at that point the TV-100 became your TV tuner. You could then attach speakers directly to the TV-100 because it has an integrated amplifier or you could attach it to your stereo with the Tape Out.
The brilliant part of the TV-100 is that it also has an Aux input, which means that you can use it on it’s own as a small amplifier. Today, following the analog TV end times the MTS decoding functions are useless but sometimes you just need a small amplifier. The TV-100 was often sold with two magnetically shielded Minimus-2.5 speakers as seen in the Popular Mechanics ad, and together they are perfect for these situations.
At some point, I believe it may have been in the late 1980s, my grandfather gave my father a TV-100 and the two Minimus-2.5 speakers. My father also purchased another TV-100 at a thrift store.
When I was a teenager I couldn’t have a TV in my room but I did have one of the TV-100s so I listened to over-the-air TV. I have fond memories of listening to ER and SNL, trying to imagine the pictures in my head.
Somewhere along the way we got rid of the two TV-100s but my father kept the speakers.
Recently I saw this TV-100 at the Goodwill on State Road in Cuyahoga Falls and had to have it. I reunited it with the two speakers and now I have the complete set once again.
It’s not the greatest sounding amplifier in the world and it’s not particularly loud but when you just want to improve the sound of a small TV it does fine.
Today my TV-100 sits in my classic gaming nook on top of my Laserdisc player and below a circa-2005 Toshiba CRT TV with the Minimus-2.5 speakers.
Aside from it’s utility I appreciate the way the TV-100 looks. It represents the best of a transition period that was happening to stereos in the 1980s. Stereos of the 1970s often had a silver face and a large, lit radio tuning dial like the TV-100 but unlike it often had wood paneled sides and larger switches. It seems like they were all trying to look like ham radio transceivers.
About the time the TV-100 debuted in 1985 receivers started to become computer controlled and began eliminating the tuning dials and switches in favor of digital displays and more flat, computer-like buttons.
My mother’s Akai AA-R22 is a good example of this styling.
By the late 1980s, of course, receivers started going all black which for the most part, they remain until this day. Generally, the more a piece of stereo equipment looks like a DeLorean DMC-12 (silver, angular), the better with me. Chunky black monoliths are boring.
So, for the TV-100 to be silver and fully analog (in it’s operation and appearance) makes it an interesting mid-80s transition piece. There’s also something majestic about the well-proportioned analog-ness of the TV-100.
The size of the tuning dial in comparison with the turning and volume knobs and the rest of the unit is pleasing to the eye. Somehow this diminutive, somewhat esoteric add-on unit found deep within the Radio Shack catalog (1985, page 104) turned out to be a work of art.